There’s a fine line between inspiration and procrastination but, either way, I’m glad when I come across web photography folios that actually use the medium. Take the sliding display of We’re All Gonna Die - 100 Meters of Existence by Danish photographer Simon Hosberg. It’s a portrait of a crowd made by stitching together photos taken on the same street corner over 20 days until a number of individuals are brought together in a sort of pedestrian Bayeux Tapestry.
Italian street artist Blu has recently uploaded an epic collaborative animation project with American artist David Ellis. His creatures are brought to life using stop-motion animation where key frames are painted on walls and streets, sometimes at scales of ten or twenty meters, and then painstakingly whitewashed and re-painted.
American photographer Kevin Connolly has just published an autobiographical account of his life so far. ‘Double Take’ is a memoir of growing up literally legless and traveling the world documenting the attitudes and reactions of the people he encounters.
Conventional commercial printing companies produce waste by-products in a number of ways. Inks may contain metallic pigments including cadmium, barium and copper and petroleum based solvents are used to separate chemicals and clean the machinery. Furthermore, large-scale commercial printers release VOCs (volatile organic compounds) into the air during printing alongside large amounts of waste water.
The median age in Australia is 37. In Timor Leste it is 21. 35% of the population is under the age of 14. Many of these children have been orphaned by disease and war.
I keep seeing ute commercials on TV that mention ‘ESP’ as a feature. I can only assume that the car provides some sort of extrasensory perception. But I’m not buying it until they introduce telepathic navigation controls (or TNCs).
Video by the very talented and conscientious Swiss animator Mato Atom.